ScrapertownCalifornia is a place18 May, 2010
Unreal, handcrafted films by Cooper and Canepari, see more here http://californiaisaplace.com/cali/
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  Plus81 Magazine featureCitylights10 May, 2010Great layout on Citylights and Until Never in latest issue of Plus EightyOne magazine from Japan. Thanks! For further reading, check out the full article here |
  New art in Hosier Lane - GhettoMakeOverGMO10 May, 2010Mother's day special, Deb, HaHa, Monkey, Russia and friends in collaboration with the gentlemen from Arte Moris, Xisto, Alfeo, Etson, to celebrate the Peace of Wall exhibition now showing at Until Never. See more of the GMO here |
  Peace of Wall - Street Art from East TimorChris Parkinson8 May, 2010Now showing at Until Never. Until 29 May 2010
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  This city has gone to the rats Or oops, there goes a BanksyBanksy27 April, 2010Once upon a time there was a little Banksy rat in Hosier lane. Now there isn't. |
  Keith Haring ForumKeith Haring17 April, 2010Forum: The Keith Haring mural – yesterday, today, tomorrow. "In 1984, American artist Keith Haring visited Australia and painted a mural on the side of the Collingwood Technical College in Johnston Street. Since then, Haring has become internationally recognised as an artist of great significance and the Collingwood mural has been placed on the Victorian Heritage Register. A legacy of Haring’s visit to Melbourne and his life’s work, this mural has become a local icon. This forum is an opportunity to find out more about this work and discuss the mural’s history and its future. The forum will feature a special presentation of information from The Keith Haring Foundation." Thursday 29 April 2010, 6.00pm – 8.00pm Panel: source: www.yarracity.gov.au |
Hosier Lane LatexRubbergirl9 April, 2010Rubbergirl in her inflatable hobble bobble skirt & strait jacket. As much fun as you can have in Rutledge Lane. |
  Live at Horse BazaarVictor Lancaster31 March, 2010In the first of Stutter's ''Four Sets With...'' 2010 series, iconic Melbourne street drummer, Victor Lancaster, appears in collaboration with some of Melbourne's finest avant-improvisers. Will be unreal. + Victor Lancaster (genius) with Bum Creek, featuring: Sam Karmel (multiple sound devices), Trev Clay and Tarquin Manek (multiple sound devices) $10 (full) / $5 (conc) |
  Sheep SceneBlek le Rat8 December, 2009The man who walks through walls, the godfather of street stencils, Blek le Rat. Flocking Melbourne. |
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Hot Weddings in Hosier: No.1 in a series April 2007 |
Hosier Action June 2007  Tony, waiting on a friend Braddock at work on Movida tapas bar Plans Fafi, Vexta, Pets, Flox and friends, Hosier Lane Phibs baby elephant, Rutledge Lane Hiro and Too, elephants, Rutledge Lane Tony and Russia meet under Nelio RENCS, RETRO, Hosier Lane |
Breakdown Press in Hosier Lane  Breakdown Press produce publications that explore creative, personal and political responses to our times. Experimenting in print, and all forms of mass reproducing technologies, Breakdown Press document artists and writers from across Australia. Based in Melbourne with a diverse background in the zine, poster art, poetry, street art and activist communities, BP work with individuals and collectives that have had little exposure, or arenʼt interested, in the mainstream media and publishing arena. Happy paste up, Hosier Lane  Nice mummyNovember 2006  |
Meatpackers Union get Kmossed at Centre Place     The Meatpackers Union, live at the launch of Kmossed by Rosie Kavanavoch. Citylights Centre Place, 27 April 2007. Enjoy.  |
FAFI and CURVY 4  Friday 6 April 2007 12-3pmLive collaborative street production on the walls of Citylights Projects Hosier Lane presented by Until Never, Citylights, YEN Magazine and Adidas Originals featuring FAFI (France) Poise : Deb : Vexta : Miso : Pets : Cut : Flox (NZ) : Pascale Mira Tschäni (Switzerland).   Nalo and Pascal Fafi and Vexta Hosier Lane top down view Fafi  Watching paint dry in Hosier Lane |
CUT COLLECTIVE (NZ) in HOSIER LANE   |
Bandits in Hosier  |
Today in Rutledge Lane    |
SPOOKY ACTION at a DISTANCE Spooky Action at a Distance - Band by Anat Ben David / 2008-9, Cowboy Style by Martin Bell / 2008-9 Mixed media installation, Dimensions variableAnat Ben-David London/Jerusalem and Martin Bell Melbourne Curated by Adi Nachman Tel Aviv/Berlin and Andy Mac Melbourne In collaboration with Nectar Efkarpidis - NewActon NEWACTON HERITAGE LINK 21-23 Marcus Clarke Street Canberra Australia April 29 - August 31, 2009 www.spookyaction.com.au Spooky Acton at a Distance is a site-specific temporary video/sculptural installation which has been created at NewActon in Canberra during April 2009 by artists Anat Ben-David and Martin Bell, with collaboration from curators Andy Mac and Adi Nachman. The project has been initiated and formed by Nectar Efkarpidis of NewActon.  During Early discussions about the collaborative basis for the project, curator Andy Mac was reminded of Einsteins's exasperated quote regarding quantum mechanics, which he derided as 'spukhafte Fernwirkung' or 'Spooky Action at a Distance'. Quantum Mechanics, specifically entanglement, suggest that particles which interact in some way become entangled, in a loose sense meaning that their properties become correlated. This is not an ordinary correlation in any sense of the word. It implies that there exists a strange connection between the particles that persists even when they are separated by great distances. In some sense, this connection is instantaneous, putting it in direct conflict with the special theory of Relativity. It was this strange connection that led Einstein to the phrase 'Spooky Action at a Distance'.  Multi-disciplinary artist Anat Ben-David presents Band, a new video works series, based on seven different musical group scenes constructed from video and digital fragments, cloning and multiplying the artist's image in such a way that all different members of each band are performed by the artist, who also composed and recorded the original music soundtrack. Band represents an ultimate virtual experience in terms of the construction of an invented reality. The installation aims not only to show the finished results - the completed clips - but to reveal the artistic process of creating a fictional world integrating digital technology and the body. The members of Band are multicultural, multinational , multilingual and fictional. The characters serve as vessels that absorb culture and regurgitate a new language. Different national identities and cultures are mixed up. The intended effect is that of a parallel universe, where things seem familiar, but are nevertheless strangely and slightly rearranged.  Martin Bell's installation Cowboy Style is a cut-up sculptural collage that references and connects with a wide array of pop cultural and art historical moments, narrating a Western revenge adventure not unlike the 70's film West World, wherein a cowboy robot in a theme park goes crazy and starts killing visitors to the park. Constructed of inkjet prints and mixed media, including live domestic plans, and supported by a timber 3d armature structure, Cowboy Style has a humorous relationship to Tatlin's unrealized and utopian revolutionary model for the Monument to the Third International, and Marcel Duchamp's Nude Descending a Staircase No. 2. Like any good Western, there are heroes and villains, heroines and rattlesnakes lurking. Unashamedly nostalgic, Bell is something of a hardcore romantic. Cowboy Style is a dangerous and deadly ride. The collaborative installation of the two bodies of work, experiments with the amplification of the chance, random elements shared by the artists, and the distinct world of visual superpositions unique to each one. Much of the understated, hidden contexts of each of the artworks surfaced during the intriguing process of discussion and installation, voicing a strong statement on the creative process amongst the artists and curators. This sorcery could most aptly be described as Spooky Action at a Distance. NewActon Heritage Link21-23 Marcus Clarke Street Canberra, Australia info@spookyaction.com.au Tel: +61-2-61 26 1300  |
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